旗袍topbele料

Ⅰ 适合穿旗袍的女人，身材都具有哪些特征

适合穿旗袍的女人，身材一般要具有身材要前凸后翘，身材要高挑，人的脖子要长，并且腰部要细。

一直以来大家都觉得穿旗袍一定要身材很瘦，其实不止是这样的，穿旗袍一定要有前凸后翘的身材，这种在电视剧里就可以看出来，然后脖子还有腰一定要又细又长，否则无法展现旗袍的整体感觉，也体现不出身材的有点和独属于东方女人的美感。

Ⅱ 邀请函关于民族服装展的英语作文

旗袍是从满族古老的服装演变而来的.旗袍,满语称"衣介".古时泛指满洲、蒙古、汉军八旗男女穿的衣袍.
清初（公元1644年-公元1911年）衣袍式样有几大特点：无领、箭袖、左衽、四开衩、束腰.箭袖,是窄袖口,上加一块半圆形袖头,形似马蹄,又称"马蹄袖".马蹄袖平日绾起,出猎作战时则放下,覆盖手背,冬季可御寒.四开衩,即袍下摆前后左右,开衩至膝．左衽和束腰,紧身保暖,腰带一束,行猎时,可将干粮,用具装进前襟.男子的长袍多是蓝,灰、青色,女子的旗装多为白色． 满族旗袍还有一个特点,就是在旗袍外套上坎肩.坎肩有对襟、捻襟、琵琶襟、一字襟等.穿上坎肩骑马驰聘显得十分精干利索.
清世祖入关,迁都北京,旗袍开始在中原流行.清统一中国,也统一全国服饰,男人穿长袍马褂,女人穿旗袍.以后,随着满汉生活的融合,统一,旗袍不仅被汉族妇女吸收,并不断进行革新.特别随着辛亥革命的风云,旗袍迅速在全国普及.
自30年代起,旗袍几乎成了中国妇女的标准服装,民间妇女、学生、工人、达官显贵的太太,无不穿着.旗袍甚至成了交际场合和外交活动的礼服.后来,旗袍还传至国外,为他国女子效仿穿着. 至20世纪30年代,满族男女都穿直统式的宽襟大袖长袍.女性旗袍下摆至（骨干）(小腿),有绣花卉纹饰.男性旗袍下摆及踝,无纹饰.
40年代后,受国内外新式服饰新潮的冲击,满族男性旗袍已废弃,女性旗袍由宽袖变窄袖,直筒变紧身贴腰,臀部略大,下摆回收,长及踝,逐渐形成今日各色各样讲究色彩装饰和人体线条美的旗袍样式.
汉族妇女为啥喜爱穿旗袍?主要旗袍的造型与妇女的体态相适合,线条简便,优美大方,所以,有人认为旗袍是中国女人独有的福音,可起到彩云托月的作用.而且,旗袍是老少宜穿,四季相宜,雅俗共赏. 根据季节的变化和穿着者的不同需要、爱好,可长可短,可做单旗袍、夹旗袍；也可做衬绒短袍、丝棉旗袍.并且,随着选料不同,可展现出不同风格.选用小花、素格、细条丝绸制作,可显示出温和、稳重的风韵；选用织锦类衣料制作,可当迎宾、赴宴的华贵眼饰.
当中国旗袍在日本、法国等地展销时,很受当地妇女人士欢迎,她们不借重金,争购旗袍,特别是黑丝绒夹金花、篓金花的高档旗袍,最为抢手.旗袍正以浓郁的民族风格,体现了中华民族传统的服饰美.它不仅成为中国女装的代表,同时也公认为东方传统女装的象征.

Chinese Cheongsam

The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner.
In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white.
Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc.
When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women.
Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns.
From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females.
After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape.
Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young.
The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets.
When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.

Ⅲ 管家婆辉煌版‖Top退料单怎么做

你这提示是库存数量不足，不能领料

Ⅳ 谁能给我介绍十本关于服饰的英语读本 只要英语的啊

旗袍

旗袍是从满族古老的服装演变而来的。旗袍，满语称"衣介"。古时泛指满洲、蒙古、汉军八旗男女穿的衣袍。

清初（公元1644年-公元1911年）衣袍式样有几大特点：无领、箭袖、左衽、四开衩、束腰。箭袖，是窄袖口，上加一块半圆形袖头，形似马蹄，又称"马蹄袖"。马蹄袖平日绾起，出猎作战时则放下，覆盖手背，冬季可御寒。四开衩，即袍下摆前后左右，开衩至膝．左衽和束腰，紧身保暖，腰带一束，行猎时，可将干粮，用具装进前襟。男子的长袍多是蓝，灰、青色，女子的旗装多为白色． 满族旗袍还有一个特点，就是在旗袍外套上坎肩。坎肩有对襟、捻襟、琵琶襟、一字襟等。穿上坎肩骑马驰聘显得十分精干利索。

清世祖入关，迁都北京，旗袍开始在中原流行。清统一中国，也统一全国服饰，男人穿长袍马褂，女人穿旗袍。以后，随着满汉生活的融合，统一，旗袍不仅被汉族妇女吸收，并不断进行革新。特别随着辛亥革命的风云，旗袍迅速在全国普及。

自30年代起，旗袍几乎成了中国妇女的标准服装，民间妇女、学生、工人、达官显贵的太太，无不穿着。旗袍甚至成了交际场合和外交活动的礼服。后来，旗袍还传至国外，为他国女子效仿穿着。 至20世纪30年代，满族男女都穿直统式的宽襟大袖长袍。女性旗袍下摆至（骨干）(小腿)，有绣花卉纹饰。男性旗袍下摆及踝，无纹饰。

40年代后，受国内外新式服饰新潮的冲击，满族男性旗袍已废弃，女性旗袍由宽袖变窄袖，直筒变紧身贴腰，臀部略大，下摆回收，长及踝，逐渐形成今日各色各样讲究色彩装饰和人体线条美的旗袍样式。

汉族妇女为啥喜爱穿旗袍？主要旗袍的造型与妇女的体态相适合，线条简便，优美大方，所以，有人认为旗袍是中国女人独有的福音，可起到彩云托月的作用。而且，旗袍是老少宜穿，四季相宜，雅俗共赏。 根据季节的变化和穿着者的不同需要、爱好，可长可短，可做单旗袍、夹旗袍；也可做衬绒短袍、丝棉旗袍。并且，随着选料不同，可展现出不同风格。选用小花、素格、细条丝绸制作，可显示出温和、稳重的风韵；选用织锦类衣料制作，可当迎宾、赴宴的华贵眼饰。

当中国旗袍在日本、法国等地展销时，很受当地妇女人士欢迎，她们不借重金，争购旗袍，特别是黑丝绒夹金花、篓金花的高档旗袍，最为抢手。旗袍正以浓郁的民族风格，体现了中华民族传统的服饰美。它不仅成为中国女装的代表，同时也公认为东方传统女装的象征。

Chinese Cheongsam

The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner.

In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white.

Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc.

When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women.

Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns.

From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females.

After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape.

Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young.

The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets.

When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.

Ⅳ 帮我找篇关于中国传统服饰的英语短文

旗袍

旗袍是从满族古老的服装演变而来的。旗袍，满语称"衣介"。古时泛指满洲、蒙古、汉军八旗男女穿的衣袍。

清初（公元1644年-公元1911年）衣袍式样有几大特点：无领、箭袖、左衽、四开衩、束腰。箭袖，是窄袖口，上加一块半圆形袖头，形似马蹄，又称"马蹄袖"。马蹄袖平日绾起，出猎作战时则放下，覆盖手背，冬季可御寒。四开衩，即袍下摆前后左右，开衩至膝．左衽和束腰，紧身保暖，腰带一束，行猎时，可将干粮，用具装进前襟。男子的长袍多是蓝，灰、青色，女子的旗装多为白色． 满族旗袍还有一个特点，就是在旗袍外套上坎肩。坎肩有对襟、捻襟、琵琶襟、一字襟等。穿上坎肩骑马驰聘显得十分精干利索。

清世祖入关，迁都北京，旗袍开始在中原流行。清统一中国，也统一全国服饰，男人穿长袍马褂，女人穿旗袍。以后，随着满汉生活的融合，统一，旗袍不仅被汉族妇女吸收，并不断进行革新。特别随着辛亥革命的风云，旗袍迅速在全国普及。

自30年代起，旗袍几乎成了中国妇女的标准服装，民间妇女、学生、工人、达官显贵的太太，无不穿着。旗袍甚至成了交际场合和外交活动的礼服。后来，旗袍还传至国外，为他国女子效仿穿着。 至20世纪30年代，满族男女都穿直统式的宽襟大袖长袍。女性旗袍下摆至（骨干）(小腿)，有绣花卉纹饰。男性旗袍下摆及踝，无纹饰。

40年代后，受国内外新式服饰新潮的冲击，满族男性旗袍已废弃，女性旗袍由宽袖变窄袖，直筒变紧身贴腰，臀部略大，下摆回收，长及踝，逐渐形成今日各色各样讲究色彩装饰和人体线条美的旗袍样式。

汉族妇女为啥喜爱穿旗袍？主要旗袍的造型与妇女的体态相适合，线条简便，优美大方，所以，有人认为旗袍是中国女人独有的福音，可起到彩云托月的作用。而且，旗袍是老少宜穿，四季相宜，雅俗共赏。 根据季节的变化和穿着者的不同需要、爱好，可长可短，可做单旗袍、夹旗袍；也可做衬绒短袍、丝棉旗袍。并且，随着选料不同，可展现出不同风格。选用小花、素格、细条丝绸制作，可显示出温和、稳重的风韵；选用织锦类衣料制作，可当迎宾、赴宴的华贵眼饰。

当中国旗袍在日本、法国等地展销时，很受当地妇女人士欢迎，她们不借重金，争购旗袍，特别是黑丝绒夹金花、篓金花的高档旗袍，最为抢手。旗袍正以浓郁的民族风格，体现了中华民族传统的服饰美。它不仅成为中国女装的代表，同时也公认为东方传统女装的象征。

Chinese Cheongsam

The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner.

In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white.

Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc.

When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women.

Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns.

From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females.

After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape.

Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young.

The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets.

When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.

Ⅵ 女士服饰礼仪要遵循的top原则有哪些

时间原则

不同时段的着装规则对女士尤其重要。男士有一套质地上乘的深色西装或中山装足以包打天下，而女士的着装则要随时间而变换。

白天工作时，女士应穿着正式套装，以体现专业性;晚上出席鸡尾酒会就须多加一些修饰，如换一双高跟鞋，戴上有光泽的佩饰，围一条漂亮的丝巾;服装的选择还要适合季节气候特点，保持与潮流大势同步。

场合原则

衣着要与场合协调。与顾客会谈、参加正式会议等，衣着应庄重考究;听音乐会或看芭蕾舞，则应按惯例着正装;出席正式宴会时，则应穿我国的传统旗袍或西方的长裙晚礼服;

而在朋友聚会、郊游等场合，着装应轻便舒适。试想一下，如果大家都穿便装，你却穿礼服就有欠轻松;同样的，如果以便装出席正式宴会，不但是对宴会主人的不尊重，也会令自己颇觉尴尬。

地点原则

在自己家里接待客人，可以穿着舒适但整洁的休闲服;如果是去公司或单位拜访，穿职业套装会显得专业;外出时要顾及当地的传统和风俗习惯，如去教堂或寺庙等场所，不能穿过露或过短的服装。

1．白色的搭配规则
白色可与任何脸色搭配，但要搭配得奥妙，也需费一番心计心情。

白色下安装带条纹的淡黄色上衣，是柔和色的最佳组合；下身着象牙白长裤，上身穿淡紫色西服，配以纯白色衬衣，不失为一种获胜的配色，可宽裕表示自我特性；象牙白长裤与浅色休闲衫配穿，亦然一种获胜的组合；白色褶折裙配淡粉血色毛衣，给人以温柔萧洒的感受。红枉费配是斗胆的连系。

上身着白色休闲衫，下身穿血色窄裙，显得亲近超逸。在强烈对比下，白色的分量越重，看起来越柔和。

2．蓝色的搭配规则
在所有脸色中，蓝色装束最便利与其他脸色搭配。不管是相似于玄色的蓝色，还是深蓝色，都对比便利搭配，而且，蓝色具有紧缩形骸的恶果，极富魅力。

矫捷的蓝色搭配血色，使人显得娇媚、俏丽，但应当心蓝红比例妥贴。
相似玄色的蓝色合体外衣，配白衬衣，再系上领结，参加一些正式景象，会使人显得怪异且不失放恣。曲线显明的蓝色外衣和及膝的蓝色裙子搭配，再以白衬衣、白袜子、白鞋装点，会透出一种轻巧的娇媚气味。

上身穿蓝色外衣和蓝色背心，下身配细条纹灰色长裤，体现出一片素雅的风致。因为，大作的细条纹可柔和蓝灰之间的强烈对比，扩张优雅的气质。

蓝色外衣配灰色褶裙，是一种略带守旧的组合，但这种组合再配以葡萄酒色衬衫和花格袜，吐映现一种自我特性，从而变得明快起来。

蓝色与淡紫色捂配，给人一种奥秘的感受。蓝色长裙配白衬衫是一种额外平时的梳妆化妆。如能穿上一件高雅的淡紫色的小外衣，便会平添几分成熟城市味儿。上身穿淡紫色毛衣，下身配深蓝色窄裙，即使没有花俏的图案，也可在当然之中流映现成熟的风韵儿。

3．褐色搭配规则
与白色搭配，给人一种清纯的感受。金褐色及膝圆裙与大领衬衫搭配，可体现短裙的魅力，扩张优雅气味。采用守旧素雅的栗子色面料做外衣，配以血色毛衣、血色领巾，显明矫捷，俏丽无比。

褐色毛衣配褐色格子长裤，可体现精细精美和成熟。褐色厚毛衣配褐色棉布裙，通过二者的质感区别，阐扬出穿戴者的特有特性。

4．玄色的搭配规则
玄色是个百搭百配的色彩，无论与什么色彩放在一起，城市别有一番风情，和米色搭配也不例外！眼下，双休日逛街时，上衣可以还是夏季的那件玄色的印花t恤，下装就换上米色的纯棉含莱卡的及膝a字裙，脚上穿戴白地彩色条纹的平底休闲鞋子，具体人看起来异常满意，还足够着阳光的气味。

实在，不穿裙子也可以，换上一条米色纯棉的休闲裤，最好是低腰微喇叭的裤型，脚上还是那双休闲鞋，已经前卫，芳华逼人。